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Systeme

by Bersarin Quartett

supported by
hendrik
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hendrik favorite section: firmamente/illusionen/nacht&nebel/neuronen
rcarlberg/Anode
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rcarlberg/Anode This album is some kind of wonderful. It paints a definite mood, which is neither morose nor giddy, landing somewhere in the "thoughtful contemplation" arena. Hint: for best results play on a really big stereo.
furrybeans
furrybeans thumbnail
furrybeans There's a lot to love about this album; it's sheer experimentality and creativity, it's deep, luscious sound design. But what I love the most is the sheer emotional range on this thing. Gespenster is such a different track from Macht, but both weave together to tell a truly fascinating musical story. And I need to give special mention to Signale, which is one of the best tracks I've heard all year. Favorite track: Gespenster.
resurface.se
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resurface.se Un-listened/Pre-ordered
resurface.se?p=25556
"Neuronen"... is the favourite track (the R:F one...), they are all excellent and will fit on the wall...it does not get any better. It is so exact, so precise... so much dynamic and depth. Bass music made for the wall. Dramatic stuff.
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1.
Gespenster 03:15
2.
Exo 03:35
3.
Licht 03:20
4.
5.
Autopoesie 03:24
6.
Signale 03:20
7.
Firmamente 04:12
8.
Illusionen 03:35
9.
10.
Neuronen 03:40
11.
Macht 04:31
12.
Liebe 02:30
13.
Systeme 04:11
14.
Relevanz 02:51

about

Finally the 5th album of the imaginary German quartet - as always via Denovali. Although the title "Systeme" suggests a perhaps rather distant-cool album, it is the most personal and concentrated soundtrack so far created by Thomas Bücker from Münster in his "E-Smog-Playground" studio. In 2008, the quartet still flirted with cyrillic-mysterious melancholy and red wine-swilling trakl melancholy. 15 years and four albums later, it seems almost cynical to simply continue at this point. Because: late modernity delivers its very own complex tragedies - in real time.

This feeling of "Something's not right here" runs like a thread through the entire new album. While it still sounds popularly symphonic here and there, there are also many soundscapes that have an observing, almost unmasking effect. Microtonal shifts, polyrhythmic structures, tempo fluctuations and sound aesthetics torn out of context create a fragile, unpredictable foundation - as if Talk Talk, Tim Hecker and Skrillex were making music together and challenging our tolerance for ambiguity.

Typical of the Bersarin Quartet: sparks of optimism shimmer through everything. However, sitting back and enjoying doesn't really want to work - necessarily. Because that makes it exciting without freezing in escapism - fortunately.

credits

released December 15, 2023

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Bersarin Quartett Germany

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